Through the lens of the exhibition “Out of Place” (OOP), this paper investigates the commonalities between textile practices in the post-industrial cities of Manchester, UK and Hangzhou, China. By considering works that may exist on the periphery of textile practice, questions are raised concerning the shifting notion of textiles, particularly in regions that have deep textile histories. Through the reflections of [Author 1], who curated the exhibition, and drawing upon the research of the fellow authors and their situatedness in Manchester, this article explores the notion of a virtual space in relation to the methods of communication employed throughout the Manchester-Hangzhou collaboration. Virtual space is presented here as an environme...